Martin Georglev's works are powerful and possess an individual style. The balance of these qualities allows his talent to unfold in pursuing perpetual themes, such as the meaning of human existence, the responsibility of the Creation to the Creator. and the divine essence of the human being. As a conductor he reaches depths in music, through precise ly measured approach to imagery and stylistic features of the works. The world premiere of Percussion Concerto No. 3 "Genesis", commissioneby the Municipality of the City of Vama was conducted by the composer in 2011 with the Symphony Orchestra of the Varna State Opera and soloist Tatiana Koleva, a leading International percussionist who was also born in Varna. The recording with the Bulgarian National Radio SO in Sofia, featured on this CD, was produced 3 years later, in 2014. The recording of Heavenly Reflections was produced in 2007 and was Georgiev's first recording as a composer and conductor with this orchestra, with whom he had recorded previously as a concert percussionist. The outer parts of the Symphonic Triptych, which are respectively the earliest and the latest composition featuring on this album, were recorded by them in 2016. Martin Georgiev was born in 1983 in Varna, Bulgaria. He showed musical talent already as a 5-year-old, studied recorder, percussion and piano and wrote his first compositions when he was twelve. The first concert featuring only his compositions was given In 2000 at the Varn a City Art Gallery and in the same year he won the First Prize and Grand Prix of the International Music Festival ·Hopes. Talents, Masters·. Albena (Bulgaria, 2000), and two awards for transcriptions from the Union of Bulgari an Composers.
Before finishing secondary education in 2002 at the National School of Arts 'Oobri Christov' in Varna, specialising in percussion with Dalila Nedelcheva, and conducting and composition with Prof. Milko Kolarov, he had participated in many festivals and concert tours to Canada, France and Greece, won 1s prizes from Bulgarian and International competitions, and in the same year performed as a soloist in the premiere of his First Percussion Concerto for vibraphone, marimba and string orchestra at the Vama Summer Intematlonal Music Festival. His achievements were acknowledged by the State Department for Education, Science and Technology with a National Diploma for outstanding achievements in music in 2002. In 2003, aged 19 he received the Award for Symphonic Composition at the 75th Anniversary of the Sofia National Philharmonic Orchestra with his Passacaglia on Two Bulgarian Themes, (Sofia Philharmonic, Rossen Milanov conductor). The same work was selected by the international panel of the TACTUS Young Composers Forum in Brussels, Belgium, performed by the National Orchestra of Belgium conducted by Pascal Rophé and later received the UBC Goldert Stave Award. He subsequently graduated with Distinction at the National Academy of Music 'Pancho Vladlgerov' (So Ha) In conducting (with Prof. Plamen Ojouroftj), composition (with Prof. Krasimir Taskov) and percussion (with Prof. Tatiana Karparova), and completed an ABRSM Conducting Diploma studying with Prof. Vassil Kazandjiev FBAS. An ABRSM International Scholarship, together with scholarships by the Royal Academy of Music, the National Culture Fund of Bulgaria and the St Cyril and Methodius International Foundation supported his postgraduate studies in conducting at the Royal Academy of Music, London, where he studied with Colin Metters, Sir Colin Davis and George Hurst. In 2008, when graduating from the Royal Academy, he was awarded the Fred Southall Memorial Prize for Conducting. His first opera, The Mirror, with original libretto by Marike van Aerde, was premiered in London in 2009 by Azalea, conducted by Jessica Cott is with patrons Sir Charles Mackerras, Lady Valerie Solti and Andrew Ritchie CBE. From 2008 to 2013 he completed h isPhD in Composition at the Royal Academy of Music, University or London, supervised by Dr. Philip Cashlan with subsidlary supervision by Sir Peter Maxwell Davis, Julian Anderson and others, supported with scholarships from the Wingate Foundation, Alan & Nesta Ferguson Trust and Sir Richard Stapley Trust. Within that doctoral research he developed "morphing modality", an innovative compositional technique involving modality, linear harmony and polyphony, enriched by applying principles drawn from Bulgarian and Byzantine Orthodox sacred chant, the visual art technique of Image Morphing, and research in music psychology, perception, cognition, and psychoacoustics. from 2003 to 2013, while guest conductor of the Bulgarian National Radio Symphony Orchestra, Sofia National Philharmonic Orchestra, Varna Philharmonic Orchestra, the Symphony Orchestra or the Royal Academy of Music, London, associate conductor of the Bloomsbury Opera, London, and principal guest conductor of the contemporary music ensemble Azalea, London, he performed premieres by young British composers as well as UK premieres by Pancho Vladigerov, Oimitar Nenov and Vassil Kazandjiev. In 2010-11 he was Embedded composer in residence with the BBC Symphony Orchestra, London within a programme for outstanding young composers by Sound and Music. In 2012 he was appointed composer in residence to the City of Heidelberg, Germany (Komponist für Heidelberg 2012/13), on the Initiative of Its GMO Yordan Kamdihalov. On this occasion he composed The Secret for symphony orchestra, commissioned by the Heidelberg Theatre and Symphony Orchestra and premiered in 2013 conducted by the composer. Since 2013 Georgiev has been Assistant Conductor for the Royal Ballet at the Royal Opera House. Covent Garden. London. Martin Georgiev is a laureate of the TACTUS prize of the TACTUS Young Composers' forum in Brussels, Belgium, where his works were selected in 2004, 2008 and 2011, performed and recorded by the Brussels Philharmonic (cond. by Michel Tabachnik) who performed h is music also at the Ats Musica lntemational Music Festival (cond. Fabien Gabel). He is recipient of a composition prize in memory of Sir Henry Wood by the Royal Academy of Music and finalist for the Hindemith Prize, Germany. His works have been performed in the UK, Bulgaria, USA, France, Germany, Belgium, The Netherlands, Poland, Japan, Mexico, Canada, Greece, Israel and Italy.
It goes without saying that vocal music speaks of God and the world. However, wordless music can also speak. It is a sonic sign language. Someone who understands its characters, signals and symbols can also detect meaning and significance which elude mere structural analysis. To trace these, it is helpful if the composer gives at least an indication in the title (Johann Kuhnau: Biblische Historien (Biblical Histories), Robert Schumann: Waldszenen (Forest Scenes), Richard Strauss: Tod und Verklärung (Death and Transfiguration). More >>